Makaya McCraven is a beat scientist. The cutting-edge drummer, producer, and sonic collagist is a multi-talented force whose inventive process & intuitive style of performance defy categorization.
Called “a sound visionary” (jazzinchicago.org) who is “not your everyday jazz drummer” (thewordisbond.com), McCraven brilliantly moves between genres and pushes the boundaries of jazz and rhythm to create forms of his own.
You are listening to one incredible musician. His style and sound is unique, a heady, skillful, sophisticated and boldly uncompromising mix of jazz and hip hop…” (UK Vibe)
His breakthrough album In the Moment was released with International Anthem Recording Co. (IARC) in January of 2015 and quickly named “Album of the Week” on BBC 6 Radio by influential DJ Gilles Peterson. By the end of the year it was a “Best of 2015” selection for Los Angeles Times, Pop Matters, NPR Music’s Jazz Critics Poll, and Apple Music. In 2016, In The Moment was hailed by Turntable Lab as “one of the most important recordings to date in the modern Jazz world.” In The Moment was a dramatic statement by McCraven, where he debuted a unique brand of “organic beat music” that quickly launched him into the vanguard of not only Internationally-known jazz artists, but also a niche genre of next-wave composer-producers blurring the boundaries of jazz & electronic music.
“While Teo Macero’s work with Miles [Davis] might seem the obvious reference point, In The Moment is closer in spirit to Madlib and J Dilla.” (WIRE Magazine)
French-born but raised in the Pioneer Valley of Massachusetts by expatriate musician parents, McCraven went on to develop his chops in Chicago and now represents a rising generation of globally-minded, genre-bending music makers as an artist as well as band leader. Through his unique, rarified performances and collaborations he unapologetically affirms our right to re-think and re-write the rules, any rules, and affirms other artists in their own exploratory evolutions.
Makaya McCraven is a Chicago staple, owing some of his rise to the city’s fervent jazz community, but with Where We Come From, McCraven and his band have transcended locale. Jazz belongs to the world, it exists wherever we come from.”
McCraven has toured nationally and internationally, and produced 4 critically acclaimed releases as a lead artist in the last 4 years. Yet despite the performances and accolades, McCraven’s focus remains on both creating music and moving the culture forward.
“As a person of mixed race, nationality, and ethnicity I want my identity and contributions to paint a world not bound by genre, race or national boundaries but unified through a love of music culture and community. Tethered by legacies of the past but looking towards a new, more universal future.”
Makaya McCraven continues the development of his “organic beat music” as well as the work of (what Schube described as) “transcending locale” on his most recent release Universal Beings. A 2xLP album that was recorded at 4 sessions in New York, Chicago, London & Los Angeles, Universal Beings features an A-list of “new” jazz players from those hotbed cities: Brandee Younger, Tomeka Reid, Dezron Douglas, Joel Ross, Shabaka Hutchings, Junius Paul, Nubya Garcia, Daniel Casimir, Ashley Henry, Josh Johnson, Jeff Parker, Anna Butters, Carlos Niño and Miguel-Atwood Ferguson.